since the whitney museum reopened this week, greg and i decided to visit today.
visitors are required to wear a mask and to reserve time slots online. greg reserved a spot last night.
the downstairs exhibit displayed photographs by artist gordon matta-clark from 1975, when he occupied an abandoned shed on pier 52. he had studied architecture prior to his artwork, and he used this knowledge to remove pieces of the building (using a chain saw and blowtorch), so that it was open to the river and sunlight. it was interesting to us as we lived in the neighborhood before the park was created, when it was just black topped piers. i remember people sitting out in their lawn chairs on nice days, and lying on towels to soak up the sun.
on the fifth floor was an exhibition titled
vida american: mexican muralists remake american art, 1925-1945, showing the strong influence of mexican artists, and how it wasn't only europe that had an impact on american painters (there's a good article about it
here). i love these paintings with their strong, bold figures, and mix of bright colors and dark shadows. above is
la malinche (young girl of yalala, oaxaca), by alfredo ramos martinez.
uprising, by diego rivera (1931).
zapata, by david alfaro siquieros (1931) (most of what i know of mexican history is from watching old movies as a teen.)
two women, salvadora and herminia, by freda kahlo (1928).
my nieces, by maria izquierdo (1940).
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we also visited the 8th floor, which had an exhibit of artist agnes pelton's work titled desert transcendentalist:
voyaging, 1931
agnes pelton lived from 1881 - 1961, for a long time on the east end of long island, and then in the southern california desert, away from the mainstream art world, and so she is not as well known. to support herself, she painted portraits and landscapes which she sold to friends and tourists.
the guide, 1929
incarnation, 1929
we wandered outside after the pelton exhibit. it felt wonderful to be so high up with such a magnificent view . .
(the high line . . )
the museum had assigned specific stairways for going up and down . . we exited via a stairwell we never even knew existed. i think it must have been only used in the past for employees.
it brought us out by the gift shop . .
and back out onto ganzevoort street - looking east . .
and looking west towards the river. we thought we were going to get a lot of rain right away, but it didn't arrive until hours later. i felt so good to be out enjoying the city again; enjoying something we liked doing, but hadn't been able to do in months. observing paintings is like reading history or reading someone's journal - it gives a glimpse into how people see their world. often it's very different from how i see things, and then i feel that my peripheral vision widens just a little more.